The Past Is The Future And The Future Is Now
November 11 - December 10, 2022
Available for purchase
Garden of Eve
October 28 - November 30, 2022
James Bester
September 30 - October 29 at Pullman Yards in Atlanta
Chloe Chiasson
September 23 - October 22
BANKS
View the Artist Project Here
Sasha December
Mario Joyce
View the exhibition
November 21, 2022
November 9, 2022
August 23, 2022
Current
Atlanta, GA
The Past Is The Future And The Future Is Now feature new paintings that continue Ryan Cosbert’s research into people of African descent, but here she explores the travel and movements of the African American community.
Closing Soon
Los Angeles, CA
Garden of Eve is Harmonia Rosales’ second solo exhibition in Los Angeles and first at UTA Artist Space. Building on past exhibitions, Garden of Eve brings together previously shown and never before seen works to tell the story of creation through the eyes of women and Orishas, deities of the African Diaspora.
James Bester: Fluent represents a new milestone in the artist’s career, introducing paintings into his established practice of ceramic works influenced by “face jugs” brought to America by enslaved people from Africa. The new medium allows him to continue the directness of his work, using harsh lines, distorted figures, and a turbulent sense of motion to depict his upbringing and the inherited knowledge of his family’s struggles
Past
Bird on a Wire is Chloe Chiasson’s first solo exhibition on the West Coast. Featuring multidimensional paintings and sculpture, the exhibition offers an autobiographical take on queer Southern adolescence.
In Mario Joyce: A Stranger’s House That Is Our Own, the artist continues his project of investigating the ways Afro-Atlantic histories have existed in the United States, reassembling American iconography, particularly the American flag, into paintings of staggering psychic presence. In this new body of work, Joyce layers contrasting visuals through collage and painting to explore how African-Americans have often had to construct their own identities.
Fragile World features new work by Carl Hopgood, Samyar Maleki, Ryan Winnen, Jack Winthrop, and Greg Yagolnitzer. Juxtaposing found object and neon sculptures against bold paintings, Fragile World explores themes of identity, masculinity, and our current socio-political climate. Throughout the gallery, Hopgood’s dynamic sculptures bring together word and object, with precariously balanced chairs and other artifacts serving as scaffolding for neon statements of affirmation and hope. Hopgood blurs the lines between digital and physical, past and present, with miniature projections and text bringing life to everyday items.
The dark, too, blooms and sings, is an exhibition featuring new work from the Yale School of Art Photography MFA Class of 2022. Curated by artist and Yale MFA alumna Genevieve Gaignard, the exhibition highlights photography, sculpture, and video from artists Emily Barresi, Dylan Beckman, Amartya De, Anabelle DeClement, Eileen Emond, Ian Kline, Chinaedu Nwadibia, Brian Orozco, Rosa Polin, and Jessica Tang.
High Anxiety is new exhibition of video and audio work from the collection of Barbara Balkin Cottle & Robert Cottle. Featuring work by Bruce Nauman, Cory Arcangel, William E. Jones, Douglas Gordon & Oscar Tuazon, High Anxiety brings together iconic works, many being shown in Los Angeles for the first time. Says writer Carlos Valladares, “Amidst the barrage of images—degraded, censored, banal, outrageous—that assault us every day, Barbara and UTA Artist Space have crafted a zone to contemplate the commotion. You cannot relax. We go through our present lives seeking to control the digital cacophony; here, in a controlled environment, chaos runs rampant. It is our inescapable, messy reality.”
Catch Me is the most ambitious solo exhibition of Nicholas Kontaxis' career to date, featuring an expansive collection of never-before-seen paintings created over the last two years that showcase Nicholas’ stylistic evolution and artistic maturation. While these last two years were primarily defined by restrictions and confinements, Catch Me captures a spirit of freedom and experimentation.
Units of Measure, the first exhibition in Los Angeles by visual artist Mandy El-Sayegh, which explores the artist’s ongoing investigation of the cultural desire to regulate bodies. The installation covers the gallery walls and floors in densely layered materials, including socio-politically charged fragments of newsprint and silkscreened ephemera, overlaid with a skin of translucent latex. The exhibit additionally features paintings on repurposed pieces of linen from the artist’s White Grounds and Net-Grid series’, along with a painted platform roughly the size of a solitary confinement cell.
For his homecoming and first exhibition in Los Angeles in ten years, Aaron Young presents a broad array of video works, installations, and wall works he has created in the last twenty years, including new works and several archival pieces that have not been exhibited in Los Angeles before.
UTA Artist Space and Unit London present a new immersive environment by the celebrated Los Angeles-based artist Enrique Martínez Celaya. The Rose Garden ambitiously brings together new paintings, sculptures, installations, photographs, garments, and writing, inviting viewers to consider the self—both its promise and its threat—through the mystical divination of memory.
Hewett’s exhibition presents a series of hybridized portraits, figurative works and landscapes that hover on the boundary between the human and what the artist defines as the humanoid. In this sense, H+ uncovers the juxtaposition between the natural environment we live in and a possible futuristic society.
Conrad Egyir presents Inauguration, an exhibition of all new paintings and drawings, including four monumental paintings that stand seven feet tall. The works build upon the Ghanaian artist’s transnational practice, which deftly blends West African and American sensibilities, iconographies, and styles. Elaborating upon the school motifs found in his past work, Egyir returns to the idea of education as a site of growth, individuality, and success, especially for immigrants.
Maya Seas presents Between Us, an exhibition of new paintings that invoke intimacy and ritual as a means of protection and inner fortitude. Seas’ paintings draw inspiration from her personal experiences and memories: women adorning each other with henna, close figures sharing secrets and inside jokes. Through the closeness and bonds between the figures depicted, the artist examines moments within her own search for a sense of belonging.
Literary Muse is a group exhibition inspired by Black literary novelists, poets, and scholars, curated by Baltimore-based Myrtis Bedolla of Galerie Myrtis. The powerful presentation brings together paintings, photographs, prints, and sculptures by twelve contemporary artists working across the United States: Lavett Ballard, Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.
A Moment In Time is a deeply personal solo exhibition by the Grammy-nominated, visionary artist Blitz Bazawule (b. 1982, Accra, Ghana). The exhibition is the first major visual project since the artist co-directed Beyonce’s Black Is King in 2020, and follows the news of Bazawule’s role as director of Oprah Winfrey and Steven Spielberg’s The Color Purple musical.
"Beyond the Looking Glass" is group exhibition of surrealist takes by women about women. Beyond the Looking Glass is curated by gallery director Zuzanna Ciolek, one of the first members of the UTA Fine Arts team when it was established in 2015. The ambitious exhibition fills all three gallery spaces with bold works by a cross generational group of fourteen woman-identifying artists: Firelei Báez, Tawny Chatmon, Charlotte Colbert, Kim Dacres, Florine Démosthène, Genevieve Gaignard, Sanam Khatibi, Klara Kristalova, Shannon T. Lewis, Jesse Mockrin, GaHee Park, Hiba Schahbaz, Kiki Smith, and Jessica Stoller.
Stormscape is an exhibition of new paintings of land and seascapes accompanied by large-scale sculpture by the Cuban American painter and sculptor Manny Castro. The exhibition narrative centers on a lone figure on a raft at sea, symbolizing the pilgrimage of Cuban exiles and the bravery of all immigrants venturing into the unknown across shores.
Blurring the lines between abstraction and figuration, Ferrari Sheppard creates mid to large-scale paintings depicting cultural figures and friends in the Black community. He incorporates gold leaf, adding a religious iconographical effect throughout his pieces, catching light and accentuating the presence of certain figures in his work. The large acrylic color, charcoal, and velvet on canvas paintings entail a sense of movement through the colors and brushstroke used, allowing the viewer to feel immersed in the painting.
Yashua Klos, a Brooklyn-based Chicago native, created this body of work while living in Los Angeles during the pandemic. His works are full of illusionistic depth and space, appearing to be images of sculptural forms built from wood scraps, crystals and brick. Klos’ figures challenge singular notions of identity, as he often merges his own features with those of his models.
Sites of Memory curated by Essence Harden in her first collaboration with the venue, featuring artists Noel W Anderson, Gideon Appah, Natalie Ball, Pamela Council, Janvia Ellis, Anique Jordan, Lebohang Kganye, Basil Kincaid, John A Rivas, Adee Roberson, and Muzae Sesay.
Liberating Humanity From Within features works from the Estate of Artist Ernie Barnes, and was curated by Ernie Barnes himself prior to his death in 2009 and was never formally presented as an exhibition until now. Barnes is best known for creating some of the twentieth century’s most iconic images of African American life, which include The Sugar Shack (1976), The Graduate (1972) and Portrait of Mrs. Wiggles (1975).
Emergency On Planet Earth: In A Time Close To Now featuring Parker and Clayton Calvert, Manny Castro, Todd DiCiurcio, Daniel Fuller, Iva Gueorguieva, Heather Haynes, Jamiroquai, Glenn Kaino, Jason Nichols and Felipe Griebel, Ellen Page, Rob Reynolds, Toni Scott, Ai Weiwei, and Nathan Wong. Including video, sculpture, painting, and photography, this multi-sensory exhibition will address both the environmental and human impact of our current times.
UTA Artist Space is pleased to announce Arcmanoro Niles’ first solo show on the West Coast, titled I Guess By Now I’m Supposed To Be A Man: I’m Just Trying To Leave Behind Yesterday. Niles debuts a series of seven large-scale paintings that explore personal journeys at various stages of life. Niles additionally presents a series of new small-scale portraits depicting friends and family members, and a number of paintings he has made over the past three years.
Disembodiment, an exhibition featuring six young, emerging Black American Artists, opens Friday, November 22, 6-8PM at UTA Artist Space and will be on view through January 25th. Curated by Mariane Ibrahim Lenhardt, director of Mariane Ibrahim, Disembodiment features Jarvis Boyland, Jonathan Lyndon Chase, Jerrell Gibbs, Marcus Jahmal, Clotilde Jiménez and Vaughn Spann, a collection of artists whose work upends established narratives around race and identity in order to reshape the viewer’s understanding of reality.
UTA Artist Space and Carpenters Workshop Gallery are pleased to announce their collaboration on a new group exhibition, Dark Fantasy on view in Beverly Hills from October 11 - November 16, 2019. This exhibition showcases a selection of artists from the Carpenters Workshop Gallery’s influential program, curated by gallery director Ashlee Harrison. This marks the first exhibition of Carpenters Workshop Gallery in Los Angeles, as well as the LA debut of Virgil Abloh’s Acqua Alta series, a new site-specific installation by Studio Drift, a major work by Nacho Carbonell, and the premiere of Reclining Nude, 2019 by Atelier Van Lieshout.
The Hole and UTA Artist Space are pleased to announce Meet Me In The Bathroom: The Art Show, presented by Vans. On view at The Hole gallery in New York from September 4-22, 2019, the exhibition is a visual counterpart to Meet Me In The Bathroom, Lizzy Goodman’s best-selling book that delves into the rock-and-roll revival that emerged from New York City in the 2000s.
UTA Artist Space is pleased to present The Decorator’s Home, a solo exhibition by Marco Castillo, curated by Neville Wakefield. After 26 years as part of the world-renowned Cuban artist collective, Los Carpinteros, this is Castillo’s first show in the U.S. as a solo artist. The Decorator’s Home personifies the vision of a fictional interior designer, tracing their style evolution from the commercial, North American-influenced Modernist design of the 1950s to the revolutionary, Soviet-influenced style of the 1960s and 1970s.
UTA Artist Space and Kasseem “Swizz Beatz” Dean are proud to present DREAMWEAVERS , a group exhibition curated by Nicola Vassell that contemplates the surreal in society against a vigorously shifting 21st century.
UTA Fine Arts is proud to present Cao / Humanity, a new exhibition by the acclaimed Chinese artist and activist Ai Weiwei. Cao / Humanity, in tandem with two other Los Angeles exhibitions, marks an exciting milestone for both Ai and the city of Los Angeles, where he is exhibiting for the first time.
A leader of the Washington Color Field School that included Morris Louis, Gene Davis and Kenneth Noland (his teacher and mentor), Downing explored formal relationships between space, color and shape. In his series of "Dial," "Grid," and "Dots" paintings he produced poignant abstract images that instill a sense of movement, while also suggesting infinite space based on geometric systems.
ONE SHOT is a group exhibition of select Color Field artists working from the late 1950s through the early 1970s. The gallery’s first exhibition in its new Ai Weiwei-designed Beverly Hills home, includes works by Helen Frankenthaler, Kenneth Noland, Morris Louis, Sam Gilliam, Thomas Downing, Gene Davis and Jules Olitski.
Since 2007, Cortright has also been creating short videos with her computer's webcam, performing for herself and then world-wide audiences.
