Ernie Barnes - Where Music and Soul Live

When hearing the opening chords of Marvin Gaye’s “I Want You,” one immediately imagines the powerful, dynamic, and sensual figures dancing on the album cover, painted by Ernie Barnes. “The Sugar Shack,” his most famous artwork which adorns this record, was painted based on a memory – a significant moment that only song and movement can produce – of a young Ernie Barnes, one fateful night when he snuck into a dance party at the old Durham armory where he grew up. The evening had such a profound impact that it inspired him to create this iconic work, which after being added to the credits of the TV show “Good Times”, became an iconic image for viewers around the world.

In the work of Ernie Barnes, music, dance, and community have always been celebrated, even in the humblest and unlikeliest of settings. His scenes have always embraced dynamic movement, with dance and jazz as an urgent and intrinsic part of the human experience. Through elongated limbs, closed eyes, and exaggerated movements, the scenes found in Barnes’ work are as close as one can get to seeing how it feels to experience music. The contrast between Barnes’s more tender, solo moments and high-spirited, dynamic multifigure work speaks to the artist’s dexterity and expansive relationship to music.

Studying the many works that make up the estate of Ernie Barnes, music truly felt like a throughline in his life and art. Barnes said many times that music and dance were always a huge part of his identity. From his childhood memories watching his father play the piano after a long day’s work to his industry friends and patrons including Lou Adler and Bill Withers, music was a constant in his life. Ernie Barnes “Where Music and Soul Live” is an immersive exhibition celebrating Ernie’s love of sound and movement, and this lasting musical legacy thanks to the musicians who featured his artwork on so many incredible albums.

Read more of the essay from curators Zuzanna Ciolek and Bridgette Baldo

PRESS RELEASE


 

Gallery 1

Evans Family Portrait, 1974
Acrylic on canvas
24 x 30 inches

The Sugar Shack, 1976
Acrylic on canvas
36 x 48 inches

A Joyful Noise, 1990
Acrylic on canvas
24 x 36 inches

Study for Club 55, 1994
Acrylic on paper
26 x 40 inches

‘N Da House, 1996
Acrylic on canvas
48 x 60 inches

Composition, 2008
Acrylic on canvas
40 x 30 inches

Amen, 2008
Acrylic on canvas
40 x 30 inches

Street Quartet, 1996
Acrylic on paper
38 x 25 inches

Gittin’ Down, 2004
Acrylic on canvas
60 x 48 inches

Hitsville, USA, 1977
Acrylic on canvas
24 x 36 inches

Sonata in Wood, 2006
Acrylic on canvas
32 x 46 inches

Trumpet Player, 1990
Acrylic on paper
26 x 38 inches

The Impresario, 1980
Acrylic on canvas
36 x 24 inches

The Stand-Up, 1979
Acrylic on canvas
24 x 20 inches

Gallery 2

Coodie & Chike

An Expression Of Ernie Barnes, Run Time 7:15, 2023

Video installation

7 minutes, 15 seconds

Somewhere Else, 2007
Acrylic on canvas
22 x 28 inches

The Audition, 2003
Acrylic on canvas
20 x 30 inches

In Rapture, 2000
Acrylic on canvas
36 x 24 inches

The Anniversary, 1980
Acrylic on canvas in artist’s frame with “wood fence”
27 x 31 ¼ inches

Rooftop Maestro, 2003
Acrylic on canvas
24 x 36 inches

Full Boogie, 1978
Acrylic on canvas
36 x 48 inches

 

 

The Disco, 1978
Acrylic on canvas
30 x 40 inches

The Maestro, 1983
Acrylic on canvas
20 x 24 inches

Gallery 3

Late Night DJ, 1980
Acrylic on canvas
30 x 24 inches

Office

Color Study for Silent Symphony, 1994
Acrylic wash on paper
18 x 24 inches

Ernie Barnes

We Keep the Sabbath Kosher, 2001
Acrylic on canvas
22 x 28 inches

Trumpet Player (Facing Right), 1989
Acrylic wash on paper
26 x 32 inches

Country Layup, 1979
Acrylic on canvas in painted artist’s frame
Overall 28 3/8 x 16 inches

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